Asian American, Native Hawaiian, and Pacific Islander Heritage Month: Home

Masuo Yasui traveled from Japan across the other Oregon Trail — the one that spanned the Pacific Ocean — in 1903. Like most immigrants, he came with big dreams and empty pockets. Working on the railroads, in a cannery, and as a houseboy before settling in Hood River, Oregon, he opened a store, raised a large family, and became one of the area's most successful orchardists.

As Masuo broke the race barrier in the local business community, his American-born children broke it in school, scouts and sports, excelling in most everything they tried. For the Yasuis' first-born son, the constraints and contradictions of being both Japanese and American led to tragedy. But his seven brothers and sisters prevailed, becoming doctors, lawyers, teachers, and farmers. It was a classic tale of the American dream come true — until December 7, 1941, changed their lives forever.

The Yasuis were among the 120,000 people of Japanese ancestry along the West Coast who were forced from their homes and interned in vast inland "relocation camps." Masuo was arrested as a spy and imprisoned for the rest of the war; his family was shamed and broken. Yet the Yasuis endured, as succeeding generations took up the challenge of finding their identity as Americans. Stubborn Twig is their story — a story at once tragic and triumphant, one that bears eloquent witness to both the promise and the peril of America. (from the book cover)

From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean-American, losing her mother, and forging her own identity. In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother's particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band--and meeting the man who would become her husband--her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother's diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Michelle Zauner's voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread. (provided by the publisher)

Immigrants from South Asia first began settling in Washington and Oregon in the nineteenth century, but because of restrictions placed on Asian immigration to the United States in the early twentieth century, the vast majority have come to the region since World War II. Roots and Reflections uses oral history to show how South Asian immigrant experiences were shaped by the region and how they differed over time and across generations. It includes the stories of immigrants from India, Pakistan, Bangladesh, and Sri Lanka who arrived from the end of World War II through the 1980s. Personal stories combine with historical, media, and popular culture accounts to illuminate themes of departure and arrival, gender relations, education, work, marriage, parenting, ties with the home country, and community building. By exploring the local Pacific Northwest dimension of a global immigrant phenomena, this important study deconstructs stereotypes and cultural assumptions made by non- South Asians and South Asians alike. (from the book jacket)

They Painted From Their Hearts is the first book to examine Asian Pacific American artists in the Northwest. Through new essays, striking color reproductions and black-and-white photographs, the work of eighteen artists from 1900 to 1960 is explored. The book includes new essays by Mayumi Tsutakawa, Martha Kingsbury, Kazuko Nakane and Lucia Enriquez.

The second part of the book, The Asian American Artists Directory, compiled by the Archives of American Art/Smithsonian Institution, adds important information about the lives of 105 notable artists who lived and worked in Washington and Oregon from 1900 to 1975. (from the book jacket)

"Mitsuko "Mitzi" Asai was not yet ten years old in the spring of 1942 when President Roosevelt's Executive Order 9066 sent 120,000 people of Japanese ancestry--about two-thirds of them US citizens--from their homes on the West Coast to inland prison camps. They included Mitzi and most of her family, who operated a fruit orchard in Hood River, Oregon. The Asais spent much of World War II in the camps while two of the older sons served in the Pacific in the US Army. Three years later, when the camps began to close, the family returned to Hood River to find an altered community. Shop owners refused to serve neighbors they had known for decades; racism and hostility were open and largely unchecked. Humiliation and shame drove teenaged Mitzi to reject her Japanese heritage, including her birth name. More than a decade later, her life took another turn when a Fulbright grant sent her to teach in Japan, where she reconnected with her roots. In From Thorns to Blossoms, Mitzi recounts her rich and varied life, from a childhood surrounded by barbed wire and hatred to a successful career as a high school English teacher and college instructor in English as a Second Language. Today, Asai descendants continue to tend the Hood River farm while the town confronts its shameful history. Originally published in 1990 as Made in Japan and Settled in Oregon, this revised and expanded edition describes the positive influence Mitzi's immigrant parents had on their children, provides additional context for her story, and illuminates the personal side of a dark chapter in US history. It's the remarkable story of a transformation from thorns into blossoms, pain into healing."--Provided by publisher.

Both a history of an overlooked community and a well-rounded reassessment of prevailing assumptions about Chinese immigrants in the American West, In Pursuit of Gold brings to life in rich detail the world of turn-of-the-century mining towns in the Northwest. Sue Fawn Chung meticulously recreates the lives of Chinese immigrants, miners, merchants, and others who populated these towns and interacted amicably with their white and Native American neighbors, defying the common perception of nineteenth-century Chinese communities as insular enclaves subject to increasing prejudice and violence.

While most research has focused on Chinese miners in California, this book is the first extensive study of Chinese experiences in the towns of John Day in Oregon and Tuscarora, Island Mountain, and Gold Creek in Nevada. Chung illustrates the relationships between miners and merchants within the communities and in the larger context of immigration, arguing that the leaders of the Chinese and non-Chinese communities worked together to create economic interdependence and to short-circuit many of the hostilities and tensions that plagued other mining towns.

Peppered with fascinating details about these communities from the intricacies of Chinese gambling games to the techniques of hydraulic mining, In Pursuit of Gold draws on a wealth of historical materials, including immigration records, census manuscripts, legal documents, newspapers, memoirs, and manuscript collections. Chung supplements this historical research with invaluable firsthand observations of artifacts that she experienced in archaeological digs and restoration efforts at several of the sites of the former booming mining towns.

In clear, analytical prose, Chung expertly characterizes the movement of Chinese miners into Oregon and Nevada, the heyday of their mining efforts in the region, and the decline of the communities due to changes in the mining industry. Highlighting the positive experiences and friendships many of the immigrants had in these relatively isolated mining communities, In Pursuit of Gold also suggests comparisons with the Chinese diaspora in other locations such as British Columbia and South Africa. (from the publisher)

As immigrants and laborers, gardeners and artists, activists and vacationers, Asian Americans have played, worked, and worshipped in nature for almost two centuries, forging enduring relationships with diverse places and people. In the process, their actual or perceived ties to the environment have added to and amplified xenophobia and racist tropes. Indeed, white constructions of Asian Americans as the yellow peril, the perpetual foreigner, and the model minority were often intertwined with their environmental activities. At the same time, Asian Americans also harnessed environmental resources for their own needs, challenging restrictions and outmaneuvering their detractors in the process. This volume examines the links between Asian American and environmental history from the late nineteenth to the early twenty-first century. With essays on topics such as health in urban Chinatowns, Japanese oysters on Washington tidelands, American Indian and Japanese American experiences at the Leupp boarding school and isolation center, Southeast Asian community gardens, and contemporary Asian American outdoor recreation, this collection underscores the vibrancy of the field of Asian American environmental history (provided by publisher).